Showing posts with label writer's fear. Show all posts
Showing posts with label writer's fear. Show all posts

Wednesday, May 16, 2012

"...and the ghost again possessed me."

There are lessons in life that we learn.  Hard lessons.  Whenever these lessons rear their ugly head again, I think of these words from Norman Maclean (a wonderful but underappreciated author):
[...] sometimes saving one's life depends entirely upon taking one's life in one's own hands and that at other times one's life and the lives of others must be put entirely into the hands of one boss--old lessons that throughout time have to be learned and relearned, only to be forgotten again.*
This has been a week of learning, and forgetting, and relearning.  I have reread books that I have not read in years.  I have rewatched movies that I had nearly forgotten.  And in the rereading, and rewatching, I have found some answers (or perhaps I am simply recalling them), and with the answers I find more peace...

The book has been on my mind for a while, so I went and got it off my shelf.  The copy is well worn and well loved.  I was young when I bought the book.  I was young, and I loved to read, and somehow I heard of the book and I simply had to have it.  I had to special order the book from our local book store, because it was not a book they routinely carried.  The book made it into my hands on November 11, 1993.  (I know this because, at that age, I had a habit of writing the date which I acquired a book inside the cover.)  The book was "Young Men and Fire" by Norman Maclean. 

Norman Maclean

The book looked back on the Mann Gulch fire on August 5, 1949, but it spoke to me even then...and it speaks to me even more so now.  Even then, in my early twenties, I knew the words were not just beautiful, but wise.  I underlined passages and dog earred pages.  When I flip through the book now, the words still hold the same urgency:

I find in trying to record the tragedy of a good many characters who were young and much alike that a few remained distant from me and anonymous and were always dead--only some came close to me and asked me to visit their crosses when I returned to Mann Gulch and to try to be of some comfort to them.

Strange, how some people--long gone--reach out to us.  How words on the page can transcend time and distance and create a connection across the ages.  How words, once read, can burn into our soul.  How dreams, once dreamt, can haunt us long after we awaken.

I want to write.  Not just to write, mind you, but to write words worthy of being underlined...worthy of a dog-earred page. 

The evidence, then, is that at the very end beyond thought and beyond fear and beyond even self-compassion and divine bewilderment there remains some firm intention to continue doing forever and ever what we last hoped to do on earth.
These words, in particular, carved themselves in my mind.  They brought to mind Sisyphus and the agony of of his eternal task--the completion of which goes forever unrealized.  For years this idea nagged at me...tormented me.  But now, so many years after I first read those words, I wonder:  Maybe, instead of an unresolved task, it refers to continuing to strive for our goals...defying time and death to finally realize our heart's desire.

Perhaps, as T. S. Eliot penned,  "That is not it at all, That is not what I meant, at all."  But this new interpretation gives me hope; I think I will hold onto that for a while. 

So I will try to move beyond my fears...to continue doing what I hope to do on this earth.   "I had once seen a ghost, and the ghost again possessed me."

Fear.  Such a strange thing.  Nearly as impalpable as time itself.

[...] fear being only partly something that makes us run away--at times, at least, it is something that makes us come back again and stare at what made us run.
*All quotes herein are from "Young Mean and Fire," by Norman Maclean. 


Monday, February 20, 2012

Bottle Trees, Trapped Things...and 159 Pages

I know it sounds crazy, but I am actually looking forward to editing.  Mainly, I think, because that means that the actual book is all down on paper.  I mean, sure, there will be things changed, revised, beef-up, fleshed out, switched around, cleaned up and, you know...edited.  But that means that I have gotten over the initial hump and can get to the part where I take those raw ideas and polish them up so that the reality matches (at least as closely as possible) the image in my head. 

Speaking of images in my head:  I also have a haunting picture in my head, and it has found its way (sort of) into my book.  (I know, "Surprise!" right?)  But still, having grown up close enough to the South to have actually seen several bottle trees, they do rather take root in your subconscious.  If you have not been lucky enough to see one in person, then you can check out this 1930s photograph of a bottle tree taken by Eudora Welty:

Photograph of a Bottle Tree taken by Eudora Welty, circa 1930.
Can't you just hear those trapped spirits?
So, with all these new ideas and images rattling around in my head, and since I now know how this first book will end, and I since I am so tantalizingly close to getting it all down...well, to be honest, it is SO tempting to call in sick (cough, cough) and see if I can churn it out in one day.  I think that I could...at least I could if I would just give myself permission to sit still long enough.  My fear is that I would end up "catching up on laundry first" (you know, so I could concentrate without mom guilt), but that I would look up and realize that I wasted the entire day doing non-writerly-stuff.  So I trudge off to work and wait until lunchtime...my sacred hour when I hole up in the corner of the break room with my notebooks and pencils and scribble away while I eat (yet another) peanut butter sandwich.

You see, there is this other part of me, a part that I hate to acknowledge, that is rather afraid of being done.  This bit of me is afraid of a time when the story is on paper, all typed up, nicely edited, read and re-read, formatted, and reach to launch.  Because then it is no longer mine; then it belongs to the world.  As writers well know, the world can be cruel; it it is our instinct to want to protect our "baby" from all that viciousness.  But the truth is that Art cannot live tucked away in the bottom drawer (or trapped on a flash drive, or hidden on your laptop), it has to be seen and breathed in and appreciated (or, perhaps just as likely, not appreciated) in order to exist.     

So, I try to squelch my fears and write on...word after word, day after day.  I alternate between exhilaration and dread...and I am okay with that.